Princess Yona lives an ideal life as the only princess of her kingdom. Doted on by her father, the king, and protected by her faithful guard Hak, she cherishes the time spent with the man she loves, Su-won. But everything changes on her 16th birthday when tragedy strikes her family!
In order to free the port town of Awa from an evil tyrant, Yona and her friends team up with Jaeha, the Green Dragon, and his fellow pirates. While Hak and the others are fighting on other ships, Yona and Yun infiltrate a human-trafficking operation! When the enemy closes in and things look dire, what will Yona do?
With volume 7 comes the end of the Awa/Green Dragon arc, and by does it end with a bang! The final battle is a nice mix between fighting and story development. There aren’t any huge fight scenes with dramatic action sequences that take several panels to complete. The action is confined to a few panels at a time as the story hops between the various groups of people that are running around. Some people might not like that kind of narrative, but I’ve never been one for drawn out action scenes that take up several pages. If there’re well done, fine, but most of the time they’re nothing special and they don’t interest me as much. In this volume, the action is there, you know the fight is happening, but it isn’t the main focus of the story, instead it’s an instrument used for development of story and characters.
Speaking of character development. If you haven’t been convinced by Yona, this volume may be the one to win you over. I absolutely loved her in this one, not that I didn’t before but this one definitely made her one of my favorite heroines yet. She isn’t the same girl you met in the first few chapters. No, she’s something different and I love it! And Yun gets some development in this volume too that just made me want to scream. I liked it from the beginning, but the handsome boy genius has definitely grown a lot on me in this volume and actually deserves the self-given title!
The thing that I loved most about this volume, though, is that the mangaka hasn’t forgotten about Yona’s trauma. What happened to her should stay with her forever and unlike other mangas that I’ve read the writer knows that too. In this volume you see that trauma come back, you see how it haunts her, and most importantly you see it physically manifest itself. It doesn’t make her weak. Instead it’s another instance that shows how far she’s come and it makes me so happy to see it. I’ve read/watched too many stories that have characters with traumas that just drop them when the story doesn’t need it anymore and it’s never done naturally; they just wake up one day and are 100% okay. So it really makes me happy to see that the mangaka hasn’t forgotten about Yona’s suffering and instead weaves it into the story as part f the main design and not just some accent.
Title: Yona of the Dawn (Vol. 7)
Written by: Mizuho Kusanagi
Artist: Mizuho Kusanagi
Translation/Adaptation: JN Produtions / Ysabet Reinhardt MacFarlane
Publisher: VIZ Media LLC
Published: August 1st, 2017
Genre: Manga, Shojo, Fantasy, Action/Adventure, Romance